Arts
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“Lupine” by Photographer Daniel Dorsa
[ad_1] A photographic examination of grief, memory, and time by Los Angeles-based photographer Daniel Dorsa. Dorsa’s work explores relationships between people and the landscapes that connect them. “Lupine” was created during a ten-day journey around Iceland’s Ring Road. The work serves as both a personal elegy and a meditation on trauma. More than simply documenting…
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Denis Yashin: The Visual Language of Vibration
[ad_1] The Echo of Disciplines in a Contemporary Practice The artistic practice of Denis Yashin stands at the intersection of multiple creative traditions, shaped by more than two decades of sustained engagement with experimental culture. Based in Vienna, he operates within a city known for its layered artistic history, yet his work resists nostalgia or…
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Hindu Prints from Modern Bengal at MFA Boston » Art & Antiqu…
[ad_1] From 31 January to 31 May 2026, the Museum of Fine Arts, Boston, presents the exhibition “Divine Color: Hindu Prints from Modern Bengal” Source: Museum of Fine Arts, Boston. Image: Madana-Bhasma, published by Calcutta Art Studio, about 1885-95 Vivid prints of divinities are part of daily life for Hindus in India and around the…
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Juxtapoz Magazine – Deadly Prey: Movie Posters from Ghana @ …
[ad_1] Harman Projects, in conjunction with Spoke Art and Deadly Prey Gallery, is pleased to announce an exhibition of hand-painted movie posters from Ghana. The origin of this artistic movement has its roots in the 1980s with the rise of mobile cinemas across the country of Ghana. Promotional posters were created to support these traveling…
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Through Vivid Color, Martin Wittfooth Revels in Surreal Worl…
[ad_1] A parrot confined to a too-small cage, jellyfish floating above fungi and ferns, and a spotted octopus resting as the centerpiece to a flourishing bouquet are a few of the surreal scenes in the works of Martin Wittfooth. The artist is known for his enigmatic paintings that meld flora and fauna to consider interconnection…
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“It Didn’t Used to Feel Like This” by Photographer Emmalyn P…
[ad_1] A series exploring the feeling of nostalgia by New York-based photographer Emmalyn Pure. Selected as one of the featured folios at Photopolis Photo Festival in Greece, “It Didn’t Used to Feel Like This” encompasses a variety of images taken over the last few years. As we get older, Pure observes, nostalgia is often imbued…
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Marleen Hulst: Where Repetition Becomes Reflection
[ad_1] Patterns as a Lifelong Language Visual rhythm has shaped Marleen Hulst’s creative life long before she identified herself as an artist. Growing up in the Netherlands, she developed an early sensitivity to repeated motifs, surface decoration, and the subtle order hidden in everyday objects. This sensitivity did not emerge through formal art training but…
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Philadelphia Museum of Art Reverts to Old Name After Contest…
[ad_1] Philadelphia Museum of Art Reverts to Old Name After Contested Rebrand ad [ad_2] Source link
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Juxtapoz Magazine – Krzysztof Grzybacz “To Empty Out” @ Mend…
[ad_1] Mendes Wood DM is pleased to present Krzysztof Grzybacz’s latest body of work in his first solo exhibition at the gallery in Brussels. Behind its seemingly polished framework, To Empty Out emerges as an exhibition beautifully rife with contradictions that overlay serious and playful themes according to Grzybacz, who often sets out to “clash the forces”…