[ad_1] Galerie Max Hetzler, Berlin, is pleased to announce X-Rated (1972–1974), a solo exhibition of paintings and works on paper by William N. Copley. This is the fourth presentation of the artist’s work at the gallery, and the show will be on view through April 22, 2026. Copley came to painting from an unusual position. […]
Juxtapoz Magazine – Molly Bounds “The Light That Loses, The …
[ad_1] Mrs. is pleased to present The Light That Loses, The Night That Wins, Molly Bounds’ New York debut solo exhibition, on view at the gallery’s 6040 56th Drive location. This exhibition marks the Los Angeles-based artist’s second presentation with the gallery following The Armory Show in September 2025. The show will be on view through […]
Juxtapoz Magazine – Nuart Aberdeen 2026: Poetry In The Stree…
[ad_1] Welcome to the latest edition of Nuart Aberdeen. As far as we can ascertain, this will be the first street art festival in the world with a focus primarily on poetry and text-based works. Over the years, for better or worse, the large scale colourful figurative mural has come to dominate the culture we […]
Juxtapoz Magazine – Alicia McCarthy Opens New Solo Show @ V1…
[ad_1] Alicia McCarthy’s abstract and colourful compositions instantly capture the viewer’s attention. From afar, the use of repeated geometric patterns recalls the Op Art of the 1960s. A closer look yet reveals that these optical effects aren’t engineered and calculated by machines with mathematical precision, but the result of a spontaneous gesture. McCarthy’s modular blocks […]
Juxtapoz Magazine – Let Us Gather in a Flourishing Way @ Buf…
[ad_1] Let Us Gather in a Flourishing Way explores contemporary Latinx artists’ innovations and interventions within established traditions of painting, inviting discussion on a variety of themes and revealing the diversity and expansiveness present within the field. The fifty-eight artists in the exhibition—and those in the Latinx field more broadly—encourage us to interrogate the continued relevance […]
Juxtapoz Magazine – Laurent Proux “Out Of The Blue” @ GNYP G…
[ad_1] If you happen to be Antwerp this week, and maybe you are, Laurent Proux, one of our favorite French painters, is opening Out of the Blue with GNYP Gallery. In his expressive, large-format works, Proux (b. 1980; France) stages humans in the field of tension between industry and nature in the context of 21st […]
Juxtapoz Magazine – “Always Never”: a Solo Exhibition by Lin…
[ad_1] pt. 2 Gallery is pleased to present Always Never, the first solo exhibition with the gallery by Oakland-based artist Linda Geary. Geary’s practice has long been rooted in collage, cutting, masking, and deliberate construction. Building up color, shape, and pattern through layered compositions, she develops paintings where structure and revision unfold together. In Always […]
Juxtapoz Magazine – Lily Ramírez: So Far Out of Sight @ Simc…
[ad_1] Simchowitz is pleased to present So Far Out of Sight, a solo exhibition of new work by Lily Ramírez, on view at Hill House Pasadena. In So Far Out of Sight, Lily Ramírez approaches painting as a space of quiet reckoning, an arena where memory, perception, and feeling converge. Rooted in ongoing conversations with the self and reflections […]
Juxtapoz Magazine – Shaqúelle Whyte: “Nine nights; Strange f…
[ad_1] Nine nights; Strange fruit brings together a new body of paintings by London-based artist Shaqúelle Whyte that trace the emotional and temporal reverberations of familial grief. Rather than unfolding as a linear account, the exhibition forms a constellation of moments that draw upon the Jamaican funerary tradition of Nine Nights and the historic resonance […]
Juxtapoz Magazine – Claire Tabouret “Weaving Waters, Weaving…
[ad_1] Voorlinden is proud to present the first major museum-wide retrospective of the work of Claire Tabouret (1981). The French painter’s solo exhibition Weaving Waters, Weaving Gestures showcases the remarkable breadth of her oeuvre, her boundary-defying practices, and her exploration of complex themes such as identity and human relationships. In addition to this solo exhibition, her stained-glass […]