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Watch 35 Short Films by Charles and Ray Eames: “Powers of Te… | News Magazine
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Watch 35 Short Films by Charles and Ray Eames: “Powers of Te…

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The Pacif­ic Pal­isades fire of Jan­u­ary 25 destroyed much of that coastal Los Ange­les neigh­bor­hood, but it some­how spared the Charles and Ray Eames house. Any­one who’s paid it a vis­it, or at least pored over the many pho­tos of it in exis­tence, knows that it’s more than a pre­served work of Cal­i­for­nia mod­ernism once inhab­it­ed by a famed pair of hus­band-and-wife design­ers. In truth, it’s more like a world, or at least a world­view, made domes­tic. From the out­side, one first notices the clean, vague­ly Japan­ese lines, the sharp angles, and the planes of Mon­dri­an col­or. Once inside, one hard­ly knows what to look at first: the Isamu Noguchi lamp? The Native Amer­i­can bas­kets? The kokeshi dolls? The Eames Lounge Chair?

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After a few months’ clo­sure to repair smoke dam­age, the Eames House re-opened to vis­i­tors last sum­mer. But wher­ev­er in the world you hap­pen to be, you can tour the place in its prime, and as its mak­ers would have want­ed you to see it, through the short film from 1955 at the top of the post.

Titled sim­ply “House: After Five Years of Liv­ing,” it briefly ani­mates the title build­ing’s con­struc­tion process, shows its con­text in nature and some of the tex­tures to be seen on and around its exte­ri­or walls, and soon makes ten­ta­tive moves— albeit almost entire­ly with still shots — toward the inte­ri­or. Shot and edit­ed by the Eames them­selves, the film show­cas­es their aes­thet­ic and com­mu­nica­tive sen­si­bil­i­ty as much as does the house itself, or indeed the pieces of fur­ni­ture inside that they them­selves designed.

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So, each one in a dif­fer­ent way, do the 35 Eames shorts col­lect­ed on this Youtube playlist. It includes, of course, “Pow­ers of Ten,” an eight-minute-long zoom out from a pic­nic on Lake Michi­gan to 100 light years away in out­er space, then back again and down to the micro­scop­ic scale of “a pro­ton in the nucle­us of a car­bon atom beneath the skin on the hand of a sleep­ing man at the pic­nic.” In addi­tion to stew­ard­ing the house, the Charles & Ray Eames Foun­da­tion has plans to bring that acclaimed film back out for its 50th anniver­sary next year. Until then, this playlist will give you a chance to get acquaint­ed with a bit more of their large body of cin­e­mat­ic work, reflect­ing as it does the Eame­ses’ sig­na­ture instinct for mod­ernist cre­ativ­i­ty and light­heart­ed ped­a­gogy, but also their prox­im­i­ty to the world that the mid-twen­ti­eth cen­tu­ry was fast bring­ing into being.

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Take the series of pro­duc­tions they did for IBM, like “A Com­put­er Per­spec­tive: Back­ground to the Com­put­er Age” just above, com­mis­sioned for an exhi­bi­tion of the same name. Begin­ning its sto­ry with human­i­ty’s ear­li­est cal­cu­lat­ing machines, it makes its jazzy visu­al-his­tor­i­cal way up to the post­war decades, dur­ing which, as the nar­ra­tor puts it, “the vari­ety of demands on the com­put­er began to mul­ti­ply. It was asked to be not only cal­cu­la­tor and ana­lyz­er, but infor­ma­tion stor­age and retrieval device, instru­ment of com­mu­ni­ca­tion, and inter­locu­tor.” If only the Eam­ses could have lived, we might think, to see how ful­ly the com­put­er would come to occu­py that last role. Nor, revis­it­ing “Pow­ers of Ten,” could any of us ignore how much the view­ing expe­ri­ence reminds us of our idle explo­rations on Google Earth, a tech­no­log­i­cal devel­op­ment they sure­ly would­n’t have found implau­si­ble — and sure­ly would have found cap­ti­vat­ing.

Relat­ed Con­tent:

Charles and Ray Eames’ “Pow­ers of Ten” Updat­ed to Reflect Our Mod­ern Under­stand­ing of the Uni­verse

Charles & Ray Eames’ Icon­ic Lounge Chair Debuts on Amer­i­can TV (1956)

Charles & Ray Eames’ “A Com­mu­ni­ca­tions Primer” Explains the Key to Clear Com­mu­ni­ca­tion in the Mod­ern Age (1953)

Charles & Ray Eames’ Short Film on the Mex­i­can Day of the Dead (1957)

“They Were There” — Errol Mor­ris Final­ly Directs a Film for IBM

Watch “Design for Dis­as­ter,” a 1962 Film That Shows Why Los Ange­les Is Always at Risk of Dev­as­tat­ing Fires

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.



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