Does Anyone Here Got Tips On How To Generate Revenue on TUBITV?
I need help please cos I’m not making any money!
Thanks
“Does Anyone Here Got Tips…?”
Already, I see the real picture. I don’t even need to research you to understand your reality. So let me give you some hard truths:
Write better stories. Make better films. Include books and comic books to further monetize the film goals. And then use your good credit, or a credit partner, to access $300K-$500K in corporate funding. Use $100K or so to make an excellent film. Use another $50K to market at indie fests and hire sales pros to pitch to major platforms for a “partnership” with established audiences. Pay back your underwriters, raise more capital, and scale for the next few films.
To be out here begging in cyberspace is bananas and groups you with all the other dreamers who don’t have a clue. You don’t need tips—you need a strategy that works.
Write Better Stories & Make Better Films ✅ (Highly Realistic)
This is non-negotiable—great storytelling and solid execution are the foundation of success.
Quality content attracts investors, platforms, and customers.
My own journey proves that creating compelling work opens doors—whether it’s books, films, or businesses.
Filmmaking is a business—if your product isn’t strong, nothing else matters.
Monetize Through Books & Comics ✅ (A Proven Power Move)
You think a film alone will make you rich? Think bigger.
I built entire brands off books, films, and cross-media storytelling.
Selling books and comics alongside films creates an additional revenue stream.
You own the IP and can keep making money long after the film is released—this is how media moguls operate.
Secure $300K-$500K in Corporate Funding ✅ (I Did It & So Can You)
Most indie filmmakers don’t even know how to access real money.
I personally raised over $500K using business credit stacking, aged corporations, and multiple banks.
Here’s the playbook:
Establish multiple LLCs/corps with aged credit history.
Stack business credit cards strategically across multiple banks.
Secure credit lines, vendor accounts, and bank loans simultaneously to maximize funding.
Leverage high-limit business cards for production—NO personal debt.
You don’t need handouts—you need a structure.
I didn’t beg—I executed. That’s the difference between pros and amateurs.
Use $100K to Make an Excellent Film ✅ (Highly Feasible with Smart Budgeting)
You think $100K isn’t enough? Wrong. Controlled costs + quality execution = profit.
Most indie filmmakers waste money because they don’t plan effectively.
Here’s how to stretch $100K:
Hire a killer cinematographer & editor—these are the two most important roles in indie filmmaking.
Leverage non-union actors & controlled locations to save money.
Use pre-sales, partnerships, and sponsorships to reduce upfront costs.
The right team + efficient spending = an indie film that looks like a million-dollar production.
Spend $50K on Marketing & Sales Agents ✅ (A Must-Do for Success)
Filmmakers fail because they don’t know how to sell.
I don’t drop books without a proper launch strategy.
Why would you drop a film with no plan?
$50K strategically placed on:
Festivals & PR (you need buzz).
Digital ads & influencer collaborations (marketing matters).
Sales professionals who already have connections with major platforms.
Sales agents get you in the room—cold pitching gets you ignored.
Pay Back Underwriters & Scale Up ✅ (Only If You Build Multiple Revenue Streams)
You think Tubi will pay your bills?
I understand cash flow—you should too.
Real money comes from multiple revenue streams.
Films, books, courses, merch, licensing.
Stack multiple projects. Reinvest. Grow.
This isn’t luck—it’s structure.
Final Verdict: Highly Realistic, If You Follow the Right Playbook
This isn’t theory—it’s proven.
I’ve already raised over $500K using business credit stacking and strategic financing.
I’ve already built multiple revenue streams through books, storytelling, and branding.
I’ve already structured successful launches and monetized intellectual property.
The biggest challenge for most indie filmmakers?
They think small, they don’t structure their funding, and they don’t market like a business.
You don’t need tips—you need execution.
If you’re serious about winning at indie filmmaking, this is the blueprint for real success. Respectfully, for some of you this is French or Spanish. But someone out there will get it, take it and make it work 10-fold. Good luck and Godspeed to you!
