Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the td-cloud-library domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home/releande/public_html/wp-includes/functions.php on line 6170
The Architectural History of the Louvre: 800 Years in Three … | News Magazine
Wednesday, June 10, 2026
spot_imgspot_img

Top 5 This Week

spot_img

Related Posts

The Architectural History of the Louvre: 800 Years in Three …

[ad_1]

Set­ting aside just one day for the Lou­vre is a clas­sic first-time Paris vis­i­tor’s mis­take. The place is sim­ply too big to com­pre­hend on one vis­it, or indeed on ten vis­its. To grow so vast has tak­en eight cen­turies, a process explained in under three min­utes by the offi­cial video ani­mat­ed above. First con­struct­ed around the turn of the thir­teenth cen­tu­ry as a defen­sive fortress, it was con­vert­ed into a roy­al res­i­dence a cen­tu­ry and a half lat­er. It gained its first mod­ern wing in 1559, under Hen­ri II; lat­er, his wid­ow Cather­ine de’ Medici com­mis­sioned the Tui­leries palace and gar­dens, which Hen­ri IV had joined up to the Lou­vre with the Grande Galerie in 1610.

In the sev­en­teen-tens, Louis XVI com­plet­ed the Cour Car­rée, the Lou­vre’s main court­yard, before decamp­ing to Ver­sailles. It was only dur­ing the French Rev­o­lu­tion, toward the end of that cen­tu­ry, that the Nation­al Assem­bly declared it a muse­um.

The project of unit­ing it into an archi­tec­tur­al whole con­tin­ued under Napoleon I and III, the lat­ter of whom final­ly com­plet­ed it (and in the process dou­bled its size). The Tui­leries Palace was torched dur­ing the unpleas­ant­ness over the Paris Com­mune, but the rest of the Lou­vre sur­vived. Since then, its most notable alter­ation has been the addi­tion of I. M. Pei’s glass pyra­mid in 1989.

The pyra­mid may still have an air of con­tro­ver­sy these three and a half decades lat­er, but you can hard­ly deny that it at least improves upon the Cour Car­rée’s years as a park­ing lot. It stands, in any case, as just one of the count­less fea­tures that make the Lou­vre an archi­tec­tur­al palimpsest of French his­to­ry prac­ti­cal­ly as com­pelling as the col­lec­tion of art it con­tains. (Fran­coph­o­nes can learn much more about it from the longer-form doc­u­men­taries post­ed by Des Racines et des Ailes and Notre His­toire.) And how did I approach this most famous of all French insti­tu­tions on my own first trip to Paris, you ask? By not going at all. On my next trip to Paris, how­ev­er, I plan to go nowhere else.

Relat­ed con­tent:

The Louvre’s Entire Col­lec­tion Goes Online: View and Down­load 480,00 Works of Art

A 3D Ani­mat­ed His­to­ry of Paris: Take a Visu­al Jour­ney from Ancient Times to 1900

How France Hid the Mona Lisa & Oth­er Lou­vre Mas­ter­pieces Dur­ing World War II

Take Immer­sive Vir­tu­al Tours of the World’s Great Muse­ums: The Lou­vre, Her­mitage, Van Gogh Muse­um & Much More

Japan­ese Guid­ed Tours of the Lou­vre, Ver­sailles, the Marais & Oth­er Famous French Places (Eng­lish Sub­ti­tles Includ­ed)

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.



[ad_2]

Source link

Popular Articles