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Pricing, Features, Pros & Cons (2026)

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Choosing between Nextiva and Grasshopper comes down to more than price. It’s about how your business currently communicates and how it plans to grow. While both platforms offer virtual phone system features, they’re built for different types of teams and different stages of growth.

In this comparison guide, we break down Nextiva vs. Grasshopper across pricing, features, reliability, scalability, and overall value so you can decide which solution best fits your business goals.

Nextiva vs Grasshopper: Quick Verdict

Here’s a quick comparison before we dive into the details:

  • Nextiva is built for growing teams that need advanced features, reporting, and room to scale.
  • Grasshopper is better suited for solopreneurs and very small businesses that want a simple virtual phone system. 
Feature Nextiva Grasshopper
Overall rating (G2) 4.5/5 3.9/5
Pricing Core ($15/user/mo)
Engage ($25/user/mo)
Power Suite CX ($75/user/mo)
True Solo ($14/mo)
Solo Plus ($25/mo)
Small Business ($55/mo)
Free trial Free demo available 7 days
Key features Full call management (queues, routing, skill-based), analytics and reporting, team messaging, video conferencing, CRM integrations, automated workflows. Virtual phone system basics (call forwarding, voicemail, business texting), simple call handling, limited analytics.
Ease of use 8.7/10 8.2/10
Ease of setup 8.4/10 8.0/10
Ease of admin 8.6/10 8.3/10
Support 24/7 support, onboarding resources, advanced support tiers, detailed documentation, and dedicated customer success options. Standard support during business hours with basic documentation and help center articles.
Reliability Enterprise-grade uptime with redundant architecture and SLAs; robust network with failover options. Solid basic voice reliability; lacks advanced redundancy and enterprise SLAs.
Call center infrastructure 8.6/10 Not enough data to provide rating
Scalability Highly scalable—easily adds users, integrations, features like analytics, call routing, and unified communications as needs grow. Designed for small growth; limited scalability for large teams or complex routing workflows.
VoIP phone service 8.5/10 7.5/10
Best for Growing small- to mid-sized businesses, teams with diverse communication channels, contact centers, and organizations needing scalable features. Solopreneurs and very small teams that need a simple business phone number and basic call handling.

Now let’s dive into the specifics.

Pricing: Plans, Add-Ons, and How Billing Works

When comparing Nextiva vs. Grasshopper, it’s not just about price — it’s about value.

Nextiva pricing

Pricing plans

Nextiva has three primary pricing tiers for its small business phone system: 

  • Core ($15/user/mo)
  • Engage ($25/user/mo)
  • Power Suite CX ($75/user/mo)

How billing works (important for total cost):

  • Nextiva pricing is per user (seat/line), so cost scales with the number of users you add.
  • You’ll also see standard taxes/fees applied per line.

Add-ons (what can increase total cost):

  • If you choose a month‑to‑month (vs. annual) contract.
  • Total cost can also increase based on optional capabilities (higher-tier routing/analytics, additional channels, or advanced CX features depending on your plan mix).

Grasshopper pricing

Pricing plans

Grasshopper has three pricing tiers for its small business phone system:

  • True Solo ($14/mo)
  • Solo Plus ($25/mo)
  • Small Business ($55/mo)

How billing works (important for total cost): 

  • Grasshopper uses flat monthly plan pricing (not per user), with limits based on phone numbers and extensions.
  • Taxes and regulatory fees also increase the monthly cost.

Add-ons (what can increase total cost):

  • Extra numbers are $9/month each
  • Extra extensions (available on Solo Plus plan or higher) cost $3/month each
  • International calling requires a $500 deposit before use

​​Pricing varies by billing term and promotions, so always check each vendor’s pricing page for current rates.

For small businesses, Nextiva’s comprehensive packages provide an excellent return on investment (ROI) by consolidating communication tools into one platform.

Unlike Nextiva, Grasshopper lacks tools like video conferencing, CRM integrations, and advanced call routing. While ideal for startups and small teams who just need the basics, businesses looking to scale and streamline communications may find that Grasshopper’s affordability comes at the cost of long-term value.

Features compared

When choosing a business phone system, the features offered can significantly impact efficiency, customer experience, and team collaboration.

Nextiva and Grasshopper cater to different business needs, with Nextiva providing a comprehensive communication suite and Grasshopper focusing on simplicity and affordability.

Auto-attendant and call routing (IVR) 

While both Nextiva and Grasshopper offer unlimited calling, Nextiva excels in call management by offering advanced features that enhance communication efficiency.

  • Nextiva: Provides a multi-level auto attendant (with day/night modes and different messages) with smart call routing, and distinguishes IVR as a more advanced option than a basic auto attendant.
  • Grasshopper: Includes a basic single‑level auto‑attendant that lets you create greetings, route to extensions, and set business hours. It lacks advanced routing logic or AI‑driven IVR, although it does have a live receptionist service (Ruby Receptionist) to assist with incoming calls.

YouTube Video

AI capabilities (conversational AI + AI receptionist)

  • Nextiva: Provides advanced conversational AI for IVR, using Natural Language Processing (NLP) powered by Google Dialogflow and IBM Watson. The system understands caller intent (how customers phrase their requests), continuously learning and improving through machine learning. Nextiva also offers XBert, an AI receptionist that has real customer conversations, which handles self-service functions such as appointment scheduling, answering FAQs, and PCI-compliant payment processing, making it a versatile tool for businesses of all sizes.
  • Grasshopper: Does not currently provide an equivalent to Nextiva’s XBert AI receptionist or broader conversational AI stack, but instead focuses on a virtual receptionist/auto-attendant approach that allows businesses to set up custom extensions and business hours. If you want an “AI receptionist” style experience, it’s typically handled through add-ons or third-party services (for example, live receptionist services like Ruby are available as an option), rather than native conversational AI inside the platform.

Grasshopper’s IVR is functional for small business owners needing simple call automation, but less efficient than Nextiva’s AI-driven approach.

Use cases for Advanced IVR with Conversational AI

Call handling and management (forwarding, business hours, voicemail) 

  • Nextiva: Provides advanced call management features, including call forwarding, custom business hours rules, call queues, call recording (with six months of storage), voicemail transcription, unified inbox for calls/messages, and tools like Call Pop showing caller history (past interactions, sentiment, account value) before pickup.
  • Grasshopper: Includes essentials such as call forwarding, call screening, customized greetings, voicemail with transcription, caller ID, and instant text responses for missed calls, but no advanced queues or deep call flow customization.

Analytics and reporting 

  • Nextiva: Offers rich call center analytics tools with real‑time dashboards, detailed call reports, customer journey tracking, and AI‑powered insights like sentiment/emotion detection and auto‑transcription on supported plans. Other features include customizable wallboards, gamification tools, real-time conversational insights, and post-call surveys.
  • Some KPIs and metrics Nextiva’s call center analytics track include:
    • Average handle time (AHT)
    • Call volume
    • Customer satisfaction scores (CSAT)
    • Average hold time 
    • Missed call rate
    • First-call resolution (FCR)
  • Grasshopper: Provides only basic call metrics (e.g., call counts and usage), with no advanced reporting, dashboards, or customer‑journey analytics.
  • Grasshopper offers three analytics options:
    • Usage reports with average call length for incoming and outgoing calls and call duration
    • Activity reports that track voicemails, hang-ups, and faxes
    • Detailed reports that contain timestamps, caller ID, connecting number, extension involved, and whether they were outbound or inbound calls. 
Nextiva analytics

Team collaboration (messaging, video calls) 

For businesses that rely on seamless voice and video communication, Nextiva stands out as a comprehensive solution, while Grasshopper’s business phone service focuses solely on voice calling.

  • Nextiva: Functions as a unified communications platform with HD voice and video calls, allowing users to switch between video and phone calls effortlessly. The video contact center enables video conferencing (often up to ~200 participants), team collaboration with dedicated chat rooms, group calls, instant messaging, and file sharing.
  • Grasshopper: Focuses on phone and SMS, but not internal team chat or video conferencing capabilities, meaning businesses needing video communication must use third-party tools like Zoom or Microsoft Teams.
Video conference meetings

Customer engagement (SMS/live chat) 

  • Nextiva: Nextiva’s live chat platform includes website/live chat, business text messaging, internal team chat, AI-powered chatbots, canned responses, and advanced chat routing based on agent expertise. Provides omnichannel tools on higher plans, including centralized conversation history and features to personalize experiences across channels.
  • Grasshopper: Offers business texting (SMS) from your business number and automated text replies for missed calls, but lacks live chat, team messaging, file sharing or chat routing. Since Grasshopper is a virtual phone system rather than a unified communications platform, it does not include omnichannel engagement features.
live chat screen

Integrations and CRM

  • Nextiva: Connects with major CRM systems like Salesforce, Zoho, Microsoft Dynamics, and Oracle Sales Cloud. For entrepreneurs focused on marketing and sales, Nextiva integrates with HubSpot, Pipedrive, and Zendesk. This allows for alignment between outreach, customer support, and internal communication, enabling teams to sync interactions across multiple touchpoints of the customer journey. Nextiva’s support of Zapier is a huge plus for small teams, so they can link Nextiva to tools like Slack, Trello, QuickBooks, Calendly, Mailchimp, and more. 
  • Grasshopper: Offers only two business integrations, Google Voice and Skype, which is fine for businesses that need only basic phone functionality, but not for entrepreneurs who depend on a connected tech stack to stay efficient. It also cannot connect with CRM, automation, or support platforms, making a standalone virtual phone system.
nextiva-and-grasshopper-features

Reliability and Uptime

When it comes to reliability, both Nextiva and Grasshopper claim very high uptime, but the differences in their infrastructure and service history set them apart. 

  • Nextiva: Advertises a 99.999% uptime SLA for its communications services and ensures near-perfect uptime through a network of eight carrier-grade data centers across North America. These data centers are designed with redundancy, meaning that even if one experiences an issue, another seamlessly takes over, preventing service interruptions. The company also provides 24/7 network monitoring to detect and resolve issues in real time and a live status page.
  • Grasshopper: Also advertises very high uptime (around 99.999%) although there have been more reported outages. They have a public status page for monitoring incidents, but don’t prominently publish a specific uptime SLA on their main product pages. The company is generally seen as reliable for U.S. and Canada calling but with a less extensive global infrastructure.

For businesses that rely heavily on uninterrupted communication, Nextiva’s extensive redundancy and proactive monitoring offer an added layer of network security against potential disruptions, making it a reliable choice for businesses expanding globally. 

Customer Support

Reviewers on G2 rate Nextiva’s support far better than Grasshopper’s, with a score of 9.0 (from 2,750+ users), compared to 7.6 (from only 108 Grasshopper users).

Nextiva customer review on G2

Ease of Setup and Usability

  • Nextiva: Known for its intuitive interface and a guided onboarding process, they provide self-service portals, phone support, and a dedicated onboarding team to guide users through the set-up process. This level of support makes it easier for businesses without technical expertise to configure complex features like call routing and voicemail workflows. Users can manage additional aspects of their business, such as social media and review management, all from a single interface.
  • Grasshopper: Minimalistic and straightforward platform is designed to be simple for desktop and mobile devices, making it ideal for small businesses or those new to VoIP services. While it may not have the advanced features that Nextiva offers, the simplicity of Grasshopper’s VoIP makes it a good choice for users who need a basic, no-frills system.

Scalability

Nextiva’s scalability makes it ea to meet customer demands while enhancing internal workflows. Grasshopper is better suited for small businesses that do not anticipate significant changes in their communication needs.

  • Nextiva: This centralized omnichannel solution grows seamlessly alongside your business, unifying phone, email, chat, and social media customer service through one AI-powered contact center. The platform optimizes agent workflows and provides comprehensive analytics, so that companies can efficiently handle increasing support volumes without adding headcount. 
  • Grasshopper: While good for small businesses, growing companies may face limitations with Grasshopper as their communication needs expand. Its platform is straightforward but is missing many key features and customization options that scaling businesses need.

For businesses anticipating growth, Nextiva enables consistent customer experiences across all channels while providing the data-driven insights needed to make informed decisions as support needs evolve.

Final Recommendation: Which Should You Choose?

Both Nextiva and Grasshopper offer excellent options for small businesses, but the best choice depends on your specific needs.

Small businesses

  • Nextiva: If you’re looking for advanced features like team collaboration tools or multi-channel communication, Nextiva’s platform will provide more comprehensive solutions.
  • Grasshopper: Their pricing plans are a good option for small businesses, solopreneurs, and startups on a budget and teams that just need basic phone services. 

Mid-sized businesses

  • Nextiva: For mid-market firms that require scalable solutions with team collaboration, strong security, and advanced customer support, Nextiva is the better fit. Its integrations, customizable plans, and tools for managing customer interactions can support your business’s evolving needs. 
  • Grasshopper: falls short while your communication requirements increase.

Enterprises

  • Nextiva: Great option for larger businesses or enterprises with complex communication needs. Its comprehensive suite of collaboration tools, high-level security, and scalability make it an ideal choice for organizations requiring extensive features, integrations, and high reliability. 
  • Grasshopper: With its minimalist platform, this option simply won’t meet the demands of enterprise-level operations.

Why Growing Teams Choose Nextiva

If you want a simple phone system for a solo line or very small team, Grasshopper can cover the basics. But if you’re planning to grow, or you already need stronger routing, reporting, and collaboration, Nextiva is built to scale with you.

Nextiva brings voice, messaging, and customer engagement tools into one platform, with reliability and support designed for business-critical communications. As your needs expand, you can add users, channels, and features without switching systems or rebuilding your call flows.

If you’re ready to take your company to the next level with the right business communication tools, explore how Nextiva can help streamline your processes and improve your customer experience. Learn more about why businesses choose Nextiva and transform yours today.

Build Amazing Customer Experiences

Transform customer experience on a Unified Customer Experience Management platform designed to help you acquire, retain, and grow your customers.

Nextiva vs Grasshopper FAQs

Which is better for call analytics: Nextiva vs Grasshopper?

Nextiva is typically the better fit if you want deeper call analytics and reporting for teams, including more robust visibility into performance and activity trends. Grasshopper offers call reporting, but it’s generally oriented toward simpler tracking for small teams.

What is the difference between Nextiva vs Grasshopper?

Nextiva is a full business communications platform designed for growing teams, with broader features for routing, reporting, and collaboration. Grasshopper is a simpler virtual phone system that’s often a better match for solopreneurs or very small businesses that mainly need a business number and streamlined call handling for incoming calls.

What are the pros and cons of Nextiva?

Pros:
– Built to scale for teams and multi-location businesses
– Strong feature set (routing, reporting, collaboration options)
– Often supports unlimited calling on many plans (plan details vary)
Cons:
– Can cost more than lightweight virtual phone services
– More features means a slightly steeper setup curve for very small teams

What are the pros and cons of Grasshopper?

Pros:
– Simple setup and easy day-to-day use
– Good fit for solo users and small teams that want basic call handling
– Helpful for keeping personal and business lines separate
Cons:
– Less advanced routing and analytics than team-focused platforms
– Fewer built-in collaboration options
– May not deliver the same superior call quality consistency you’d expect from more advanced business phone platforms, depending on your setup and requirements

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CA teacher of the year candidate arrested for offering money…

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A California Teacher of the Year finalist has been arrested for trying to pay for sexual acts with an undercover cop posing as a 13-year-old boy.

Ruben Guzman, an assistant principal and math teacher at Sunrise Middle School in San Jose, was snared when he organized for them to meet up last week.

Undercover officers from various law enforcement agencies posed as juveniles online to identify individuals seeking to sexually exploit children. sjpd.org

The 31-year-old, who was also recognized by the San Francisco 49ers for his work in the classroom, was cuffed by San Jose police and the FBI on the scene.

It came as part of a wider bust that saw 10 others across the region caught over alleged child exploitation crimes on the internet.

Sunrise Middle School. abc7

Guzman’s arrest shocked the school district, with principal Teresa Robinson saying there were no signs at work of his alleged crimes.

She told ABC7: “While this is deeply upsetting, it does not reflect who we are as a school. He was a highly regarded teacher and administrator.


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“Again, there was nothing in his work record or his prior work record, said other schools to indicate anything had any problems with his work.”

Sunrise Middle School Principal Teresa Robinson speaks about the sexual assault incident involving a teacher. abc7

Amid fears there could be victims at the school, Robinson added: “We are very, very glad that it did not happen to the best of our knowledge, to anybody at our school, that safety will continue to be our top priority.”

Guzman had been lauded for his work at the middle school over the last six years, including the finalist for Teacher of the Year and a recognition from the 49ers.

SJPD spokeswoman Stacie Shih said: “These chat operations specifically were conducted by undercover officers.

“With these operations specifically, we were able to apprehend the offenders before any child was harmed.”



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In memory of Dozer – RecipeTin Eats

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I held his paw and slept by his side for 14 days in hospital. But it turned out, all the love in the world wasn’t enough to save him. Thus begins the final post on Life of Dozer.

My dearest Dozer,

You came into my life in my arms, holding you protectively. And after almost 14 years together, I held you in my arms protectively again as I said goodbye.

I was sobbing so hard, I forgot everything I wanted to say to you in our final moments together.

So I started writing this letter to you, to say all those things.

I wanted to reminisce about our wonderful times – the thousands of visits to the dog beach, all the wonderful food we sampled together, the cuddles, the neck-scratching-sessions, our road trips.

Dozer Nagi at Bayview May 2022

I wanted to thank you for spreading the joy that is you with readers all around the world, for happily coming along with me to meet readers at events, book signings, fund raisers, lunches, dinners, not to mention TV shows, photo shoots, and my gosh, we can’t forget our stint on Play School!

Nagi and Dozer on Studio 10 Channel 10 cookbook publicity tour
Nagi-Dozer-Roundhouse-Crystalbrook-Newcastle-photos-by-Megan-Evans-Photography-5

But as I sit here, typing away with tears streaming down my face, I realise that’s not what I want to say to you.

What I want to say is thank you.

Thank you for giving me your whole heart.

Thank you for giving me your unconditional loyalty.

Thank you for loving me just as I am, for all my flaws, for never caring what I weigh, what I wear, what I look like.

Thank you for always being there, my one constant through the good and bad times.

Thank you for making me smile, even on the hardest of days.

And thank you for trying so hard to stay with me as long as you could, fighting to heal until your very last day. I will never forget how deep you had to dig to find the strength for your rehab walk on our final morning together.

I know that one day, I will be able to look at photos of you again without sobbing. And I know all this pain I am feeling is because I loved you so fiercely and completely, and I wouldn’t trade it for a second I got to spend with you.

But right now, four days after saying goodbye, it feels like the heartbreak will never heal, like I will never smile again.

Rest in peace, my darling Dozer. I will never forget you, and I will never stop loving you.

Love,

Your mum xoxo

Thank you SASH

To the vets and nurses at the Small Animal Specialist Hospital (SASH),

Thank you for the extraordinary care, skill, and kindness you showed Dozer. Every moment, from the medical expertise to the gentle reassurance and cheering him on, meant more to me than I can say. Knowing he was in such capable, compassionate hands gave me comfort during the hardest days. I will always be deeply grateful for everything you did for my beautiful boy. – Nagi x

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The Untold Story of Bauhaus Women: The Avant-Garde Artists W…

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It does­n’t take too long a look at the almost sur­re­al­is­ti­cal­ly clean-lined build­ings of Wal­ter Gropius to get the impres­sion that the man want­ed to ush­er in a new world, espe­cial­ly when you con­sid­er that many of them went up before World War II. Take the Bauhaus Dessau build­ing, which, though com­plet­ed exact­ly a cen­tu­ry ago, looks like a con­crete trans­mis­sion from the future that nev­er arrived, or one that may indeed still be on the way. It once housed the Ger­man art school turned polit­i­cal and cul­tur­al engine he found­ed in 1919, whose prin­ci­ples includ­ed absolute equal­i­ty between male and female par­tic­i­pants — or they did at first, at any rate.

Soon decid­ing that the new insti­tu­tion would­n’t be tak­en seri­ous­ly with too high a pro­por­tion of women, Gropius lim­it­ed their enroll­ment to one-third of the stu­dent body. That episode, among oth­ers that under­score the ways in which Gropius and the Bauhaus’ osten­si­ble com­mit­ment to the advance­ment of women was­n’t all it could be, fig­ures into Susanne Radel­hof’s doc­u­men­tary The Untold Sto­ry of Bauhaus Women.

Yet what­ev­er the short­com­ings in that depart­ment one might iden­ti­fy from a twen­ty-first cen­tu­ry van­tage, the fact remains that the Bauhaus made pos­si­ble — or at least encour­aged — more endur­ing and influ­en­tial work by female artists and design­ers than almost any art school in ear­ly twen­ti­eth-cen­tu­ry Europe.

Among the almost 500 women who stud­ied at the Bauhaus, the film pro­files fig­ures like Alma Busch­er, “who cre­at­ed pro­to­types of avant-garde fur­ni­ture and toys”; “vision­ary met­al­smith and design­er” Mar­i­anne Brandt; Gun­ta Stöl­zl, whose “weav­ing rev­o­lu­tion­ized mod­ern tex­tile design” (weav­ing even­tu­al­ly being the main pro­gram to which women were admit­ted); Friedl Dick­er, a “mul­ti­tal­ent­ed artist” ded­i­cat­ed to the Bauhaus; and Lucia Moholy, whose “excep­tion­al pho­tographs still influ­ence how we view Bauhaus design today.” The school itself may have shut down in 1933, owing to the con­flict between its aes­thet­ic and polit­i­cal ends and those of the ris­ing Nazi Par­ty, but the for­ward-look­ing nature and world­wide cul­tur­al influ­ence of the Bauhaus have ensured that we still feel the influ­ence of its alum­ni, male and female alike.

Relat­ed Con­tent:

The Female Pio­neers of the Bauhaus Art Move­ment: Dis­cov­er Gertrud Arndt, Mar­i­anne Brandt, Anni Albers & Oth­er For­got­ten Inno­va­tors

Watch Bauhaus World, a Free Doc­u­men­tary That Cel­e­brates the 100th Anniver­sary of Germany’s Leg­endary Art, Archi­tec­ture & Design School

The Pol­i­tics & Phi­los­o­phy of the Bauhaus Design Move­ment: A Short Intro­duc­tion

The Women of the Bauhaus: See Hip, Avant-Garde Pho­tographs of Female Stu­dents & Instruc­tors at the Famous Art School

An Oral His­to­ry of the Bauhaus: Hear Rare Inter­views (in Eng­lish) with Wal­ter Gropius, Lud­wig Mies van der Rohe & More

The Bauhaus Book­shelf: Down­load Orig­i­nal Bauhaus Books, Jour­nals, Man­i­festos & Ads That Still Inspire Design­ers World­wide

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

 



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“Lupine” by Photographer Daniel Dorsa

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A photographic examination of grief, memory, and time by Los Angeles-based photographer Daniel Dorsa. Dorsa’s work explores relationships between people and the landscapes that connect them. “Lupine” was created during a ten-day journey around Iceland’s Ring Road. The work serves as both a personal elegy and a meditation on trauma. More than simply documenting a place, Dorsa uses the landscape as a framework for introspection and to suggest that physical displacement can create pathways to emotional clarity and reconstruction.

“The year leading up to this trip to Iceland was filled with personal trauma. We lost our home indirectly to the fires, ER visits became a regular occurrence, and we suffered a loss. The loss was enormous and a feeling I won’t ever quite shake. Iceland started off as a challenge. Seemingly unrelated moments and twenty-four hour daylight came together like a fever dream, revealing a mental state of chaos, disillusionment, and uncertainty. No start or finish, just an infinite loop. As we neared the end of the trip, my sense of self began to return. Different from who I was before, but still myself. The title ‘Lupine’ references the invasive yet beautiful wildflower that blankets Iceland’s summer landscape. Like the emotions explored in the work, the lupine plant holds a duality: healing yet disruptive, natural yet foreign. I saw myself in that flower as we drove through the landscape. Not native to this place, but slowly becoming grounded in its terrain.”

The project has been turned into a zine. Click here for more details.



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On The Bill Martinez Show: To Discuss Illegal-Immigrant Crim…

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Dr. John Lott talked on The Bill Martinez Show about illegal-immigrant crime and related costs. They also discussed the resignation of a Wisconsin judge after being convicted of obstructing the arrest of an illegal immigrant, as well as the arrest of Venezuela’s President Nicolás Maduro. See also Dr. Lott’s new op-ed at the New York Post titled “New data reveals the horrific truth about illegal-immigrant crime.”

(Tuesday, January 6, 2026, from 9:06 to 9:30 AM ET)

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Chef Gives Statement Amid His Not Guilty Plea (Vid)

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The female chef who alleges she was assaulted by Stefon Diggs has shared a statement as he enters a not guilty plea.

RELATED: Yikes! Stefon Diggs’ Lawyer And New England Patriots Respond To His Strangulation Charges

Female Chef For Stefon Diggs Shares Statement On Alleged Assault

On Friday, February 13, the woman, who has not been identified in news reports, took to Instagram to share a message with the public. Furthermore, she wrote that she is writing to address the “false information that has been shared publicly.”

Additionally, she stated that she is a “professional chef” with 10 years of professional experience, and her “reputation” and “integrity” matter deeply to her. Claims that she engaged in “settlement discussions” with Digg, she says, are “untrue.” And she noted that she “never sought money” from him. Furthermore, she stated that she would “never” make false claims about domestic violence because she knows the allegations are serious and damaging.

“I did not seek public attention and reported this matter through the proper legal channels. This is an active criminal matter, and I will continue to respect the legal process,” she added by noting that she will not engage with “rumors” or “personal attacks.”

Instead, she noted that she is focused on “healing,” her work, and “moving forward with integrity” while trusting the legal process.

Social Media Reacts

Social media users weighed in on the female chef’s statements in TSR’s comment section. Many noted that Stefon Diggs appears to be taking back-to-back L’s with the loss of the Super Bowl and this criminal case.

Instagram user @ruby_rose0701 wrote, Oh she’s not suing for money, she went to criminal court. Yikes 😬”

While Instagram user @all100z_aye added, The way she wrote this I definitely believe her 😂😂”

Instagram user @meleliz__ wrote, He been having a bad month 😭😭😭😭😭😭😭😭”

While Instagram user @zevarra_ceo added, If it happened, he needs to be held accountable. The days of women staying quiet after being assaulted is over. 💪🏾”

Instagram user @cry_cry876 wrote,I’m just waiting to see the evidence before I hav anything to say on this matter”

While Instagram user @southsidejay330 added, I 100% believe her!! Whenever you go straight to the law and not social media or suing someone I will always believe you”

Instagram user @iamtokyorenee wrote,Basically she doesn’t want any settlement or money she can’t be payed off . She wants him dealt with 😮 . You know they telling the truth when they don’t want the money 😢”

While Instagram user @ntm._brando added, Yall so one sided in these comments just because he’s a guy. Many females have made many false claims about males, numerous times. Her statements only mean so much, if she has legitimate proof then I redact my statements, till then, she’s in it for the money and she’s just tryna get another man put in the system. And I stand on that”

Stefon Diggs Enters Not Guilty Plea In Alleged Assault Against Female Chef

Meanwhile, The Guardian reports that Stefon Diggs entered a not guilty plea to the strangulation and assault charges on Friday, February 13. His arraignment reportedly went down at the Dedham District Court in Massachusetts. Additionally, he was ordered to reappear in court on April 1.

Per the outlet, the chef alleges that on December 2, 2025, she confronted Diggs over money he allegedly owed her for her services. In turn, he allegedly smacked her in the face. And he allegedly tried to choke her by wrapping his elbow around her neck. Per PEOPLE, the chef reported the assault to police on December 16, 2025.

The Guardian adds that Diggs has denied the claims, and the New England Patriots have expressed their support for him.

RELATED: Stefon Diggs Breaks His Silence Following Strangulation Allegations From Former Private Chef (VIDEOS)

What Do You Think Roomies?



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Uffizi Cocktail Recipe

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The Uffizi is a bittersweet, low-alcohol cocktail made with fresh grapefruit juice, Bonal Gentiane-Quina French aperitif, and Cocchi Americano, a citrus-forward Italian fortified wine. Created by bartender Will Thompson of ViceVersa, an Italian aperitivo bar in Miami, this drink balances bitter botanical notes with a bright citrus punch.

Though Bonal Gentiane-Quina and Cocchi Americano are both aromatized wines with quinine-forward profiles and an ABV of around 16%, they have distinctive flavors that set them apart.

First produced in 1865, Bonal Gentiane-Quina is made from a base of mistelle — a sweet, fortified grape juice — and has a rich, reddish-brown color. The French Alpine aperitif is infused with gentian root and cinchona bark, and has a notable bittersweet, quinine quality and earthy backbone. Cocchi Americano, produced in Italy’s Piedmont region, was first created in 1891 and is made from a base of white wine. Bright and clear, the Italian aperitif is citrusy and bittersweet, with floral notes.

Why the Uffizi cocktail works

Zesty, aromatic, and bittersweet, this three-ingredient aperitif-style cocktail has a simple build but an incredibly complex flavor profile. The Uffizi has been described as a more layered (and lower-alcohol) take on a Salty Dog — a mixed drink made with vodka or gin and fresh grapefruit juice.

Fresh grapefruit juice pairs exceptionally well with both fortified wines. The bitter, quinine-forward flavors complement the bright, tangy profile of the citrus fruit. This recipe calls for a more generous pour of Bonal Gentiane-Quina, providing a rich and earthy base. Cocchi Americano brightens and lightens the drink while amplifying the grapefruit zest.

A kosher salt rim helps to neutralize the drink’s bitterness and enhances the natural sweetness while intensifying the citrus fragrance, creating a drink that is balanced, savory, and bittersweet.

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The Books Briefing: The Fine Balance Required of an ‘Authori…

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This is an edition of the Books Briefing, our editors’ weekly guide to the best in books. Sign up for it here.

Novelists, including great ones, can be a cranky bunch. The crankiest one I’ve had the pleasure of interviewing was Lionel Shriver, the author of, most famously, We Need to Talk About Kevin. When we met in her South London home for a profile in 2013, she warned me to keep my coat on because she wasn’t giving the “price gougers” at the gas company any more money for heat. Her husband, who sat nearby, complained jovially about her habit of yelling at the TV news. Her thoughts on the U.S. budget deficit ate up half an hour of our precious time together. Yet I found her charming because this was all delivered with a wink, a sense of self-awareness that I think explains how someone with an occasional self-professed “loathing of her own species” could create wonderfully complex characters and plots—most of the time.

First, here are three new stories from The Atlantic’s books section:

Since I met Shriver, she has become as well known for her opinions as for her novels—she writes columns for The Spectator about the perils of high taxes and unchecked immigration; in 2016, she showed up at a literary festival in a sombrero to mock the concept of cultural appropriation. But as Adelle Waldman writes in The Atlantic’s March issue, she has also continued writing books that lend extraordinary sympathy to characters she wouldn’t agree with, and “her novels have never been mere vehicles for her politics.” The exception, Waldman writes, is Shriver’s scathing new book about Biden-era immigration policies, A Better Life. It “fails not because its politics are out of step with progressive opinion,” she writes, but because, among other things, it “reads like an op-ed thinly disguised as a novel,” and its characters are rendered through “sociology, not psychology.”

Has Shriver lost her playful self-awareness and allowed the curmudgeon to overwhelm the literary portraitist? The line between fully developed novel and veiled op-ed is never clear-cut; plenty of excellent fiction accommodates authorial rants. I think of a protagonist’s extreme hatred of cats in Freedom, by the illustrious bird advocate Jonathan Franzen. The concept works not just because it reflects Franzen’s feelings about pet felines killing and eating billions of songbirds annually, but because it’s delivered by a believable and well-rounded character. A much more recent case of visceral opinions intruding on a novel is George Saunders’s Vigil. Saunders, who “has for decades critiqued capitalist systems,” as Julius Taranto wrote last month in The Atlantic, has published a new novel about a  dying oil magnate who spent his life downplaying climate change for profit. Taranto writes that Saunders can’t seem to describe any of his character’s “sympathetic attributes” without an addendum pointing to his deep flaws, turning what could have been a fine character study into a simple parable about forgiveness.

This is not to say that novelists can, or should, cast off their politics or pet peeves before they sit down at their desk. As Chimamanda Ngozi Adichie, another author who moonlights as an opinion-maker, told Gal Beckerman in The Atlantic last year, “Politics do inform my fiction, but I hope that I never let it either propel or become a hindrance to my writing. I think of my writing as something that’s quite separate from my political self.”

What strikes me is not that novelists sometimes set down tirades on the page; it is that they are able to transcend their particular beliefs at all. Shriver’s many strange enthusiasms have provided her with a wellspring of ideas, which in the past have produced highly topical novels—about school massacres, obesity, religion, and, yes, the national debt. But sociology, as Waldman writes, “is merely a starting point, as a novelist of Shriver’s skill certainly knows.” The reason those books can’t be reduced to political advocacy is their mastery of a greater challenge: They use that knowledge to step into another’s shoes. The best authors look outside themselves, thus encouraging readers to do the same.


Collage-style illustration with a black-and-white photo of brick row house, a halftone photo of people at a tall border wall with slats and barbed wire, and parts of the U.S. DHS seal, on a beige background.
Illustration by Colin Hunter*

The Novel as Extended Op-Ed

By Adelle Waldman

If anyone could write good fiction about immigration, it would probably be Lionel Shriver. Instead, her latest book goes off the rails.

Read the full article.


What to Read

Perspective(s), by Laurent Binet

Is anything more engaging than a good murder mystery—one that dares you to guess who did it, and why? I devoured this captivating specimen in just a few days. When the novel opens in Florence, in 1557, the body of the painter Jacopo da Pontormo lies in the chapel of San Lorenzo—in front of the frescoes he’d labored over for a decade, with a painter’s chisel stuck in his heart. The case becomes political when a lewd painting of Maria de’ Medici, the daughter of the Duke of Florence, is found in Pontormo’s room. The ensuing story—consisting entirely of letters among artists, courtiers, and religious leaders—is a wild ride through the politics and intrigue of Renaissance Italy that incorporates real historical figures. This epistolary structure is brilliant: The reader can see precisely who tells what to whom—and discern their motives for telling it. Could the killer be Agnolo Bronzino, Pontormo’s former student? A political rival of the duke? About the ending, I’ll say only that it is funny, smart, and genuinely surprising.  — Bekah Waalkes

From our list: Seven books to read when you have no time to read


Out Next Week

📚 Tiny Gardens Everywhere: The Past, Present, and Future of the Self-Provisioning City, by Kate Brown

📚 Traversal, by Maria Popova

📚 The Analects: A Contemporary Translation, by Confucius, translated by Erin M. Cline


Your Weekend Read

Photo of James Van Der Beek
Michael Buckner / Deadline / Getty

James Van Der Beek’s Greatest Trick

By Megan Garber

Dawson was strong and sensitive in equal measure. He was a thoroughly nice guy in a show that refused to treat that status as an insult. He was as thoroughly fantastical as the series that shared his name. But the character worked—and the show worked with him—because, against all odds, he seemed so warm and real. That is mostly because he was played by James Van Der Beek.

Read the full article.


When you buy a book using a link in this newsletter, we receive a commission. Thank you for supporting The Atlantic.

Sign up for The Wonder Reader, a Saturday newsletter in which our editors recommend stories to spark your curiosity and fill you with delight.

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Marty Supreme, Table Tennis, and the Cost of Gaining the Who…

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“Most of freedom and of pleasure
Nothing ever lasts forever.
Everybody wants to rule the world.”
—Tears for Fears

“This is what you want/This is what you get”
—Public Image, Ltd.

Marty Mauser (Timothée Chalamet) doesn’t know how to slow down. Slowing down would feel like surrendering, like failure, like a total loss of purpose. He’s here—in this life, in New York City, in the burgeoning economy of 1950s-era United States—to achieve his dreams of being the number one table tennis player in the world, and he won’t rest until he lays claim to that prestigious title. His aspirations are symbolized by the dream of a Wheaties box and a line of orange ping pong balls stamped with his moniker.

But there are so many obstacles to his destiny. Finances are one, as he grabs cash out of his employer’s safe and spends most of the film’s runtime scrounging up enough money to fly to Japan. Other people are another, be it his frustrated mother (Fran Drescher); his friend and occasional sexual partner, Rachel (Odessa A’zion); his uncle Murray (Larry Sloman), aka the employer whose safe he robs; the businessman Kevin O’Leary (Milton Rockwell), whom Marty pitches for a marketing deal; or Koto (Koto Endo), the Japanese player with the best shot at preventing Marty from winning the title. And then there’s just the nature of life, which is chaotic enough.

Josh Safdie’s Marty Supreme is a severely propulsive film, much like its protagonist. But in addition to the odd twists and stressful turns of the plot, there’s another strange and intriguing facet of Safdie’s film. As the final scene concludes Marty’s arc (with a notable question mark) and the end credits begin to roll, Tears for Fear’s “Everybody Wants to Rule the World” grows louder and more prominent in the soundtrack. The 1985 pop hit is a rather unexpected choice for a film set in the early ‘50s. Then again, the song declares that’s really what Marty is after, even if table tennis stardom doesn’t seem on the level of world domination. Marty wants it all: the glory, the fame, the press, the wealth. Just so long as he’s impervious to any consequences for his actions.

The American Dream is as real and immediate to Marty as the lives of his family; unfortunately for him, it’s also as flimsy as the cardboard of a Wheaties box.

Chalamet gives the biggest, most all-out performance of his career to date, and it approaches his most skillful. (Perhaps there’s more undercutting subtlety to Lady Bird or Little Women.) He fills Marty’s small frame with a nearly impossible amount of energy and the overconfidence of a man who’s inarguably charming, but nowhere near charming enough for the sheer levels of turmoil that he unleashes on everyone around him. Marty is a particularly American creature who can proclaim that he’s “uniquely positioned” to be the new face of table tennis with no trace of irony and dismiss Rachel’s concerns by telling her “everything in my life is falling apart right now, but I’ll figure it out.” In his own eyes, he’s a dreamer, a competitor, the self-righteous receiver of destiny (no less than his Paul in Dune). To others, though, he’s just a “big boy,” or “one entitled American.” The American Dream is as real and immediate to Marty as the lives of his family; unfortunately for him, it’s also as flimsy as the cardboard of a Wheaties box.

So by the time Curt Smith’s voice belts “Everybody Wants to Rule the World” at the film’s end, we read it as a clarion thematic judgment on Marty, in spite of its anachronism. (Nor is it the only ‘80s song Safdie laces into the film: “Forever Young” accompanies the title credits, and New Order, Public Image Ltd., Peter Gabriel, and The Korgis all make appearances.) Marty portrays himself as absolutely certain of his destiny, but the legacy created in the wake of his actions is up for debate. Safdie uses the anachronistic half of the soundtrack in a distinct manner, as a non-diegetic commentary on the film’s central ego. Marty wants to rule the world, and he’ll get what he wants, as likely as not. But he might not be ready to count the cost. 

1980s pop isn’t the only reference point that invites interrogation, however, as Marty Supreme is flooded with biblical allusions. These are easy to overlook initially, but as they accumulate, they compose a similar commentary on this man’s aspirations. Marty, along with many of the people around him, is Jewish, and he’s navigating both the tragedy of the Holocaust and the expansive opportunities of 1950s New York. After making bad-taste comments about the Shoah, he attempts to counterbalance by calling himself “Hitler’s worst nightmare.” Being Jewish is just as central to Marty’s character as being American; the historical knowledge of a chosen people facing repeated suffering intertwines with an ahistorical sense of individuality that leads him to believe he can pull himself up by the bootstraps—all the way into the stratosphere.

The disconnect is sharply observed when Marty, on the phone with movie star Kay Stone (Gwyneth Paltrow), exhorts her to look at the newspaper proclaiming him as “The Chosen One”—except he neglects to mention that the headline sticks a striking question mark at the end. Perhaps Marty is a messiah figure, the new face of table tennis and a new public representative of Judaism—he certainly sees himself that way. Or maybe he’s all bluster, reaping the whirlwind. Then there’s Rachel, whose name conjures a triangular strife and a figure who’s just as willing to dabble in deceit as the men around her. At one point, Marty passes off Rachel (whom he has likely impregnated, though he denies it) as his sister in order to get a secure place to stay, mirroring Abraham’s lie. In another tangled thread of the story, Marty finds himself with a dog named Moses, who just might represent his ticket to the promised land—that is, the table tennis championships in Japan.

Allusions to the Hebrew Bible abound, but Marty’s journey is not that of a person trusting God to bring him to the promised land. Instead, Marty insists on doing everything his own way and by his own energy, oblivious to the needs of every single person around him. Marty’s a hustler, a liar, an egomaniac. With a paddle in hand, he does have greatness, but he allows that greatness to delude his sense of himself. In these ways, Marty’s journey stretches across the testaments and finds its terminus in Jesus’ question: “What good will it be for someone to gain the whole world, yet forfeit their soul?” The costs pile up for those around him: for Rachel and his family, for Kay and Koto. And for Marty, though he constantly shuffles them off of his shoulders, trying his best to avert his gaze from everything he’s forfeiting. Marty manifests Jesus’ warning: There’s a lot to be gained in this world as we pursue wealth and prestige, but can one reconcile the cost?

Cowriters Safdie and Ronald Bronstein ultimately leave that headline’s question mark in place. The film provides clear commentary—courtesy of its ‘80s pop soundtrack and biblical allusions—but it doesn’t offer definitive answers. It leaves us, instead, to continue wrestling with that question. How far will we go, and with what blinded determination, to achieve our dreams? What will be the cost of obtaining all we desire? Will we even have eyes to witness the cost? We just might get what we want. But nothing ever lasts forever.



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